I Am a Strange Loop

The author's key strength is his ability to effectively explain complex topics in layman's terms using analogies. That helps a lot in this book, considering its complex topic - Consciousness. I found myself almost always agreeing with the author's idea about the existence/non-existence of the 'self'. Since I am not well-read on this topic, I will reserve from commenting too much on the topic of the 'self'. Instead, I will say that the author does a decent job of presenting the arguments objectively. And this is quite hard to achieve for a complex philosophical topic while keeping the text light and understandable.
The only minor complaint I have was that towards the end there are some sections - talking about musical tastes and their relation to the idea of self - that I found a bit out of place. I would not hold this against the author as the rest of the book was impressive.
I am thinking now that even though I mostly agree with the ideas in the book, I wonder if I think through the implications of these ideas deeply, I might be blown over by their power. I hope that this book will inspire me to think more deeply.

An exploration of consciousness by a prominent scholar in the field & an educational background similar to my own -- what's not to like? Well, for me, that was 'most of it' unfortunately.

The book was a slog to get through. I put it down about half way in and it took some time to come back and finish it of. I don't think that it was the subject matter; but the content, context and story telling that killed it.

VCRs, marbles, record players: I'm not that young that these things are before my time. For a book written in 2007 however these references still seem dated. That, for one was something that didn't mesh with me. Second: Hofstadter's heroes are not my heroes - and it seems you need to have a deep understanding of certain nuances & mannerisms of particular musicians that play Bach in the 'correct' way to gain a modicum of understanding of what consciousness is based on these tales. Third: dialogues between individual loops within a person, when you're having issues connecting with that individual are perhaps the least effective manner to get a point across I could think of.

There were so many examples that rubbed me the wrong way, many of which already by 2007 had strong rebuttals or counter evidence against the positions posited herein. As an example, a lengthy discussion about the colors red and blue concludes that categories within individual's minds may be different, but these differences can be remapped through dialogue. This is a serious surface skim and doesn't reflect even the most common findings concerning color perception of the times [see Friedman & Miyake, JEP: Gen, 133 (2004) for example].

A story concerning two universes with one robot that was conscious, and another where it was not, but mimicked what should be conscious behaviour: a child was scoffed at for showing empathy to a robot with no 'real' feelings. This is ridiculous. Since Hofstadter has a thing for antiquated phrases, "Don't cry over spilled milk" resonates here. One can show emotions about non-animate objects, let alone 100% convincing representations of animate ones.

Putting all of this aside even, nothing in the book was new to me. It was far more "memoirs and tidbits of an interesting career & the joys and sadness that a life brings" than a deep dive into consciousness.